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Nicomachean Ethics

Nicomachean Ethics

by Aristotle

Read by Geoffrey Edwards · LibriVox

Nicomachean Ethics by Aristotle is one of the foundational works of Western philosophy, exploring the nature of happiness, virtue, character, and the good life. Rather than treating ethics as a set of abstract rules, Aristotle examines how… Read more

All chapters (119)

Jump to a chapter; the recording moves with you.

  1. 1. Chapter I
  2. 2. Chapter II
  3. 3. But to return from this digression.
  4. 4. Chapter IV
  5. 5. Chapter V
  6. 6. Chapter VI
  7. 7. Chapter VII
  8. 8. Chapter VIII
  9. 9. Chapter IX
  10. 10. Chapter X
  11. 11. Chapter XI
  12. 12. Chapter I
  13. 13. Chapter II
  14. 14. Chapter III
  15. 15. Chapter IV
  16. 16. Chapter V
  17. 17. Chapter VI
  18. 18. Chapter VII
  19. 19. Chapter VIII
  20. 20. Chapter IX
  21. 21. Chapter I
  22. 22. Chapter II
  23. 23. Chapter III
  24. 24. Chapter IV
  25. 25. Chapter V
  26. 26. Chapter VI
  27. 27. Chapter VII
  28. 28. Chapter VIII
  29. 29. Chapter IX
  30. 30. Chapter X
  31. 31. Chapter XI
  32. 32. Chapter XII
  33. 33. Chapter XIII
  34. 34. Chapter XIV
  35. 35. Chapter I
  36. 36. Chapter II
  37. 37. Chapter III
  38. 38. Chapter IV
  39. 39. Chapter V
  40. 40. Chapter VI
  41. 41. Chapter VII
  42. 42. Chapter VIII
  43. 43. Chapter IX
  44. 44. Chapter X
  45. 45. Chapter XI
  46. 46. Chapter I
  47. 47. Chapter II
  48. 48. Chapter III
  49. 49. Chapter IV
  50. 50. Chapter V
  51. 51. Chapter VI
  52. 52. Chapter VII
  53. 53. Chapter VIII
  54. 54. Chapter IX
  55. 55. Chapter X
  56. 56. Chapter XI
  57. 57. Chapter XII
  58. 58. Chapter XIII
  59. 59. Chapter XIV
  60. 60. Chapter XV
  61. 61. Chapter XVI
  62. 62. Chapter XVII
  63. 63. Chapter I
  64. 64. Chapter II
  65. 65. Chapter III
  66. 66. Chapter IV
  67. 67. Chapter V
  68. 68. Chapter VI
  69. 69. Chapter VII
  70. 70. Chapter VIII
  71. 71. Chapter IX
  72. 72. Chapter X
  73. 73. Chapter XI
  74. 74. Chapter XII
  75. 75. Appendix
  76. 76. Chapter I
  77. 77. Chapter II
  78. 78. Chapter III
  79. 79. Chapter IV
  80. 80. Chapter V
  81. 81. Chapter VI
  82. 82. Chapter VII
  83. 83. Chapter VIII
  84. 84. Chapter IX
  85. 85. Chapter I
  86. 86. Chapter II
  87. 87. Chapter III
  88. 88. Chapter IV
  89. 89. Chapter V
  90. 90. Chapter VI
  91. 91. Chapter VII
  92. 92. Chapter VIII
  93. 93. Chapter IX
  94. 94. Chapter X
  95. 95. Chapter XI
  96. 96. Chapter XII
  97. 97. Chapter XIII
  98. 98. Chapter XIV
  99. 99. Chapter I
  100. 100. Chapter II
  101. 101. Chapter III
  102. 102. Chapter IV
  103. 103. Chapter V
  104. 104. Chapter VI
  105. 105. Chapter VII
  106. 106. Chapter VIII
  107. 107. Chapter IX
  108. 108. Chapter X
  109. 109. Chapter XI
  110. 110. Chapter XII
  111. 111. Chapter I
  112. 112. Chapter II
  113. 113. Chapter III
  114. 114. Chapter IV
  115. 115. Chapter V
  116. 116. Chapter VI
  117. 117. Chapter VII
  118. 118. Chapter VIII
  119. 119. Notes
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Transcript 66. Chapter IV

The recording is in 1. Chapter I. Open that chapter

Read by Geoffrey Edwards · LibriVox

Matter which may exist otherwise than it actually does in any given case (commonly called Contingent) is of two kinds, that which is the object of Making, and that which is the object of Doing; now Making and Doing are two different things (as we show in the exoteric treatise), and so that state of mind, conjoined with Reason, which is apt to Do, is distinct from that also conjoined with Reason, which is apt to Make: and for this reason they are not included one by the other, that is, Doing is not Making, nor Making Doing.[14] Now[15] as Architecture is an Art, and is the same as “a certain state of mind, conjoined with Reason, which is apt to Make,” and as there is no Art which is not such a state, nor any such state which is not an Art, Art, in its strict and proper sense, must be “a state of mind, conjoined with true Reason, apt to Make.”

Now all Art has to do with production, and contrivance, and seeing how any of those things may be produced which may either be or not be, and the origination of which rests with the maker and not with the thing made.

And, so neither things which exist or come into being necessarily, nor things in the way of nature, come under the province of Art, because these are self-originating. And since Making and Doing are distinct, Art must be concerned with the former and not the latter. And in a certain sense Art and Fortune are concerned with the same things, as, Agathon says by the way,

“Art Fortune loves, and is of her beloved.”

So Art, as has been stated, is “a certain state of mind, apt to Make, conjoined with true Reason;” its absence, on the contrary, is the same state conjoined with false Reason, and both are employed upon Contingent matter.

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